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Mention of the immigration of the early 20th century evokes images of the “wretched refuse” floating into New York Harbor and washing up on Ellis Island. But not all of “your tired, your poor” landed in New York, and we learn about one of the exceptions in Mark Harelik’s play “The Immigrant,” on stage at the George Street Playhouse in New Brunswick from March 12 through April 7. Learn More
During the first 1/4 of The Immigrant, Haskell speaks only Yiddish. (I don't speak Yiddish, so I had to learn that phonetically thanks to a terrific coach, Motl Didner.) As Haskell begins to learn English, there's an accent that starts off quite heavy and modulates over time. So that's all technically pretty tricky. Learn More
In addition to studying with a coach to get his Yiddish and accent correct, Pelteson also spent time studying pogroms and the first-hand accounts of those who arrived in America at the turn of the century. Learn More
Although a play at the George Street Playhouse in New Brunswick is set in the early 20th-century, its story of a Russian Jew’s flight from persecution and struggle to find acceptance in America has modern resonance. Learn More